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Poems

The Earth – A Sestina

The Earth
Our globe has more than mere water and land.
It has more than caps and boots of white snow,
more than a snaking navy cloak of sea,
more than a tawny belt of desert sand,
more than just gusts that the hidden wind blows,
and more than all the grass in a prairie.

For even when fire strips grass from prairie—
blackening the miles of once-golden land,
with ash swept as far as the hot wind blows—
even when spring’s buds are coated in snow,
and even when rich valleys turn to sand,
there is more potential in soil and sea.

There is regeneration. Sky to sea,
grass to ash, bones to dust: the wild prairie,
the austere mountains, and the humble sands
all change and renew as biomes of land.
The process is cold, delicate as snow,
and whirls through seasons just as the wind blows.

What will be from what has come. The old blows
of time, and the future we cannot see
together form renewal: a clean snow
that covers death in the wood and prairie,
leaves reviving water in thirsty land,
and brings tendrils from an infertile sand.

So even from unfruitful waste—the sand—
from pole to pole, so far as the wind blows,
each season breathes new life into the land.
Reefs made of dead oysters grow undersea,
while, on shore, fire revives the prairie,
and tundra is insulated by snow.

Ice ages come and cover Earth in snow.
Then time passes. Frost melts. Lakes become sand.
New species inhabit epic prairies.
And still, time passes. Winnowing winds blow.
Shorelines change, and bays are lost to the sea.
The treeless field becomes a wooded land.

So. Ephemeral are prairie and snow,
like shadows from land, like moisture from sand,
like a wind that blows the spray from the sea.

Categories
Poems

The Rope Fence of the Pastel Houses

The Rope Fence of the Pastel Houses was a poem that I returned to many times over the years.  One draft then another then another then another was discarded.  This poem was probably reworked more than any other poem that I’ve ever written, with the exception of one which is called The Corner of Farm and Lincoln Rds (and which is still not finished).

The poem tells of a young man going on his way along a pretty road where he meets others and sees the sights.  I imagine it to be set in New England, perhaps in an area like Martha’s Vineyard.

The poem rhymes and is written in blank verse.

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The Amalfi coast, Italy.

I pass a seashell of no significance
as I follow the curves of a whitewashed fence
and the uneven coastline of the sea.

The fence is jagged, hardly even, somewhat ragged,
with braided rope in place of slats,
stretching further than I can see.

Above my head, squawking shrilly, are hoary seagulls on the wing—
circling, circling, flitting, snatching, snatching at a crust of bread
then aloft again to form a ring.

And in the distance, softly scratching their stemmed backs upon the posts,
are coastal grasses, likely latching their seeds upon white painted posts,
for the wind to blow and foster breeding.

To my left are pastel houses, built on stilts with reading nooks
and oriels for those with books
to put their backs to while they thumb through pages of Of Mice and Men.

While from a cattail, singing sweetly, warbles warmly the gentle wren
Brown and round and barred so drably, yet still considered very fair,
The pleasant wren makes moving music then flies upon a gust of air.

I continue on my road to fortune, whistling with the wandering wind,
Getting there as quick as those folk who have in mind no certain end,
And speaking with an amiable neighbor, I’m kindly told a thing or two
That when traveling over any distance, it’s but common sense to enjoy the view.