House is the story of a house that picks itself up off the ground and walks across town.
Then one day the 1926 two story white house with the green shutters at 4224 Whipple Lane—in that green, affluent suburb with the wide winding roads—tugged its foundation from the ground, scattering clumps of dark brown earth and roots, and began moving down the broad road, soon to be lost from view. The house’s family, when they returned from the mall, were quite surprised.
Little chunks of concrete and wood cracked off the house’s foundation as the house ambled down the road that led to the port. Inside the house, a clear glass vase on a hall table shook, and the vase’s water spilled out onto the glossy hardwood floors. The irises and petunias inside the glass trembled and shook, and the grandfather clock, which nearly always kept the wrong time, gonged in protestation. But with a mighty, creaking shrug of its wings, the house yawned through its windows, sucking fresh air through musty passageways. The air was salty from the sea, and the house’s windows drew up and down slowly, as if deeply inhaling. Chips of paint flecked off the sills and the bottoms of the windows, the curtains flapped and stretched themselves, and the fluttering blinds sounded like tambourines as they flexed in the warmth of the summer sun.
The house turned down wide, two-laned Maple Street, a quaint residential road whose houses butted up against one another like the apartments of New York City and whose yards seemingly were the size of postage stamps. At the far end of Maple Street was a cul-de-sac, and beyond the cul-de-sac lay a small grassy hill, a fisherman’s wharf, and the gently lapping ocean. The house continued along Maple, and the house moved so noiselessly and unobtrusively that, despite its colossal mass and concrete foundation, not even a man reading a newspaper at the Maple & 8th street bus stop noticed the house pass. When the house was not more than ten feet in front of him, the man, who was immersed in an article on Pennsylvania football, let a page of the newspaper dip and, for a moment, seemed to have discovered the house which moved blithely by. But the man picked up the drooping page, ruffled the paper, and continued reading, not any more aware of his circumstances than he was a moment before.
Further down the road, the house’s oven door fell open, and the scent of burnt casserole wafted out while crumbs of blackened crust pattered to the ground. The refrigerator door swung wide, and the cheese drawer fell open to reveal a healthy wheel of Gouda and three quarters of a cold salami. Shaking from the movement of the house, the milk sloshed in its plastic gallon jug, the zucchinis rolled onto the floor, and two half cut lemons gently bumped the side of the refrigerator. A woman beating her rug against her third floor balcony railing threw her hand to her mouth. The rug slid from her hands and fell at her feet. It wasn’t until the house had nearly passed her balcony that the woman recovered her voice, yet when she found it, she screamed so loudly that even her deaf neighbor shuddered, and the man reading the newspaper four blocks away pulled up his head, frowning in curious mystification.
In an instant, many of the windows were full of gasping faces. Doors opened. Men in slippers and women in curlers flooded into Maple Street, crowding the sidewalks as if a parade were passing. Simultaneously, a bus pulled into the station on 8th and Maple and, when the passengers discerned what was happening, the bus emptied, and the driver turned off the heavy diesel engine, descended, and locked the bus’ doors. The family who owned the house had followed the trail of cement, roots, and broken two by fours, and now they stopped their car a few blocks away, merging with the crowd that was following their house.
A woman with a big black camera which had an enormous flash strode up to the house, contorted her body and drew the camera to her eye. Every time she shot a photo, the people nearby blinked in stupefaction and had what seemed to be an eternal after-image from the blast of the flash. Onlookers began packing together more tightly, jockeying for the superlative view. With flashing red and blue lights, police began slowly motoring through the crowd of pedestrians, who parted like the Red Sea. The police dug barriers out of their car trunks, set the barriers parallel to the sidewalks, and formed lines to keep the crowds confined to the sidewalk.
“Move on back!” yelled an officer, shooing people back to the sidewalk like they were chickens. A family—bustling, grabbing their children’s wrists, and quickly counting to make sure all their children were present—moved back to the sidewalk. “Oh God, John,” said a woman with a baby in her arms and another six or seven year old with curly blonde hair held by the wrist, “I’ve just realized I forgot to take my birth control this morning.”
Staring up at the house, holding a three year old over his shoulder, and calling to a nine year old boy, John replied, “Not the first time… Lord, would you look at that house move!”
Dogs whimpered at the sight of the house, running off with tails tucked between their legs and casting pitiful looks over their shoulders. A girl limped behind the line of people, holding her father’s hand and pointing at the house. The father of the girl, a man with a short cinnamon beard, hairy forearms, and a bag of supplies slung over his free shoulder observed the house in silence while listening to his girl.
Past the cul-de-sac on the wharf, an enterprising vendor was selling fresh-caught shrimp out of his stall when he saw the house approaching his stand.
“You lazy shrub,” said the vendor to the pimply fifteen year old who worked for him. “Go out and tell those people to buy shrimp from me. There’s two thousand people lining those streets, and I’ve got seventy-five pounds of jumbo shrimp to sell. Can’t you see the business? Can’t you do the math?”
The boy saw the people, all of whom were focusing only on the house that was moving quietly down Maple. “I don’t think they’re hungry,” he observed.
Cursing filthily, the shrimper picked the boy up with a hand that only had four fingers, set the boy outside the stand, and kicked him to the ground with all his might, “Do I pay you to use your mouth or do I pay you to work?! Work!”
Picking himself up off the splintered, soggy boards of the wooden wharf and rabbiting away, the pimply fifteen-year old cast fearful glances over his shoulder as he hawked, “Fresh shrimp, fresh shrimp!”
In the crowds, a preacher nudged his wife and mentioned that the house was a parallel to the parable of the prodigal son. “That house… It’ll come back,” the preacher reassured her, and she nodded absently, her mouth agape at the sight of the moving house. A group of construction workers, greasy and unshaven, with thick arms and suntanned skin came over to watch the house.
“Huh,” observed one. “Wonder what happened to its plumbing?”
“Beats me,” replied a tall worker with jet black hair, “Probably broke it off. Whoever laid that foundation did a hell of a job, though, I can tell you that. Look at how fast that house is moving—you don’t have a house that moves that fast with a poor foundation.”
“Yep,” nodded the foreman. “You got that right.”
The sounds of conversation mixed and buzzed through the air, and the people followed the house’s path, making guesses as to where it was going, why it was moving, and how it moved at all.
“I know how it works,” said a fellow with short brown hair and brown eyes, nodding his head up and down and pointing at the house’s foundation. “There’s a motor in the kitchen of the first floor—there! you can almost see it through the window there—and that motor powers the wheels of the house which you can’t see because they’re hidden behind that concrete foundation. I know that much for sure. My only question is, why didn’t I think of it first?”
On the other side of the road, near the preacher and his wife, the wife in the family who owned the house spoke in rapid, rainy tones to her husband, “It’s my fault, isn’t it? I never cleaned the bathroom enough, and I just knew that something would happen—”
“Beatrice!” exclaimed her husband, nearly in a shout, “You didn’t know anything like that would happen. How many times do I have to tell you not to kick yourself for things that aren’t your fault?”
“I knoooow,” Beatrice whined mournfully, “But I just think that if we had treated the house better, it might still be where it belongs?”
Her husbands lips tightened and he shook his head.
“Bill!” said Beatrice, “Are you mad at me?”
“No,” he answered, his tone clipped and short. “I just think it’s silly that you think a house getting up and walking off is your fault. And I kind of wonder where it’s going, that’s all.”
“I can’t help overhearing you,” said the preacher, “But I can tell you, whereever that house is going, it’s sure to come back.”
Soon enough, the house came to the cul-de-sac at the end of Maple drive. A small hill lay to the house’s left, about a quarter of a mile away, and straight in front of the house—just past the end of the cul-de-sac and the fisherman’s wharf—lay the broad ocean. At the cul-de-sac the house veered from its path and climbed to the zenith of the small hill, where sailors and citizens backed out of its way. The house circled partway around, so that its back doors commanded a vista of the ocean, and its front faced the people and their town, and there, with a resounding thump, the house settled.
Wildebeests, or gnus, are the deerlike animals in the background of the photo below. As you can see, they love to eat. They are types of antelopes, and they are frequently seen on the Mara (a protected area of grasslands) in southern Kenya.
This poem is about a very lazy wildebeest whose name is Gnu.
There once was a wildebeest named Gnu
The laziest beast that the veldt ever knew
One day a lion poked him and said,
Now either you run or you’re dead
But Gnu couldn’t be bothered to move.
Then the lion scratched the young gnu,
Said, From you I’ll make a gnu stew!
For I have claws that can shred
And I can bite off your head!
But Gnu couldn’t be bothered to move.
Then the lion jumped on Gnu’s back
Saying, I’m going to attack!
You’d better start running my friend!
Now I’ll give you some steps out in front
’Fore I start the hunt,
Then we’ll see what takes place in the end!
But Gnu couldn’t be bothered to move.
So the lion shook his head
He walked away and he said,
Such a riddle the world never knew:
For though the gnu just seems lazy
To be so idle is crazy
He must be some kind of statue!
And Gnu would have smiled
For he thought it worthwhile
But he couldn’t be bothered to move.
Here it comes, there it goes, then sleeps for four years: the leap year doze!
That’s the spirit, that’s the way, it’s February twenty-ninth today!
Hidden and swaddled between the twenty-eighth and first,
Seen at once as blessing at times as a curse, as the best birthday and also the worst.
Seasons come and seasons go, and every year brings spring,
But careless of what the groundhog sees (and deaf to notes the robin sings)
Is that uncommon leap year, whose date is uncommon and quite rare,
But also necessary to keep our calendars out of error!
Now to think of strange consequences of this very fleeting day,
I’ll give a quaint example of two twin girls, Cher and May.
Now Cher was born just minutes before midnight on the 28th,
While May was born the 29th, that transient day, that wraith.
It was a mere ten minutes between the times that they were alive,
But because of February 29th, Cher was turning twenty, while May was turning five!
The Cigarettes were a hard core band full of righteous punks and rage,
The singer supported anarchy and sang it out on stage;
Lily was the drummer girl, a saucy lass in black,
She wore a fishnet pair of slacks, her thong rose out the back.
Jimmy was the trumpeter, always barefoot when he played,
Smoking reefers in the club and forever getting laid.
Molly was the bassist, she was a poet in her soul,
Writing chords and lyrics about Hell and money and control.
The city board of Farmington, a town conservative and straight
Booked The Cigarettes unwittingly for their Annual Harvest Fête,
When October came around the leaves turned orange and black,
The pumpkins ripened on their vines, the hay was heaped in stacks
Mrs. Trot put on a dress, her corset, stockings, and her hat,
And toodled out with Mr. Trot who was wearing his cravat.
On the way they met the Smiths who ran the local mill,
They were dressed in modest best, as humble as a hill.
The evening started very fair, with meats and fruits and pie,
There was cider in the goblets and a pretty autumn sky,
And then the band began to play, you could hear them from a mile:
A pounding drum, an ominous hum, the locals lost their smiles,
Then on the stage a screaming rage, as the singer yowled and croaked,
The sun went down, the lights came on, the fires flared and smoked!
The locals of Farmington were first transformed by fear,
And then they caught the wind of it and began to lend an ear!
“This band is fuckin rockin!” shrieked Mrs. Trot and threw the horns,
“Yeah, this is how we celebrate the reaper and the corn!”
And soon enough the town of Farmington said to Hell with our respect!
And threw themselves into a night of drink and dance and sex!
And every year thereafter… the townsfolk booked The Cigarettes!
This poem tells of the repellent (but true) origins of the wax that Madame Tussauds uses in its wax museum’s sculptures.
Madame Tussauds has kept a revolting secret for years—
They harvest their wax from children’s ears!
Now, I’m sorry if the truth has jellied your knees.
It’s disgusting, I know.
But that is why Madame Tussaud’s must go
To such lengths to say their wax comes from bees!
Now, the waxman will sneak into a child’s room,
With a silver speculum and a small spoon,
While the child lies deep in sweet dreams.
This waxman will creep very near,
Insert the instrument deep in the ear,
Then spoon the wax out as if it were cream!
When Tussauds first get the wax,
It is as gold-brown as flax,
And they must store it well out of the light.
So they hide it deep in dark caves,
And far underground in fake graves,
So the wax stays in endless night!
And by the time Tussauds brings the wax out,
It has become as treacly as grout,
And they must pour it into enormous glass jars.
Here the stuff sits,
As wax sculptors spoon out small bits
To make their models of stars!
This is a poem about Tim, a baby tiger at the zoo, whose stripes all fall off when he rubs against his water trough.
Tim the Tiger was born at the zoo,
With a trait that caused a hullabaloo:
When the cat rubbed against his water trough,
Every one of his stripes fell off!
And the baby tiger was left all orange.
The stripes lay like leaves on the ground,
Fluttering in the wind, with rustling sounds.
So the zoo director said to glue the stripes back on,
In the depths of night, before the dawn,
So the baby tiger wouldn’t be all orange.
Well the night that night was a deep, dark black,
When the keepers re-adhered the stripes to Tim’s back.
And the baby cub thought it a very fine game,
Because they petted and stroked him and said his name.
For the baby tiger never knew that he was all orange.
So the keepers worked by Orion’s dull shine,
And, finishing, found they’d made an odd design!
For without the aid of their trusted sight,
They’d glued the stripes from left to right!
And they’d left Tim’s tail completely orange.
Well the people came to the zoo next day,
And they admired the very stylish way,
Tim the Tiger seemed to stand
With his stripes in a horizontal band,
And a tail that was entirely orange.
And although the zoo director was raging mad,
The keepers they were not too sad,
For they said, “Well, if he thinks that Tim has caused a stink—
Just wait till he discovers that our penguin’s pink!”
And over time the stripes fell off, and Tim was left all orange.
Yellow was feeling sunny,
Blue was feeling blue,
And although Red was being quarrelsome,
Yellow told him to come too,
To a midday picnic party
In a field beside a wood,
One day when the sun was shining
And the temperature felt good.
Well, Blue asked his two neighbors,
The colors Purple and Green,
If they would like to come too,
To the pleasant picnic on the green.
Although Purple felt too aristocratic
To make an appearance there,
Green accepted quickly,
Because she loves the clean, fresh air.
Orange was feeling warm,
Toasting his feet before the fire,
When the invitation came to him,
To join the other colors on the shire.
But he was feeling too contented
In his old, ancestral home,
Wearing his pumpkin-colored robe,
And reading from a pleasant tome.
So Orange and Purple, they stayed in,
But the others joined Yellow that day,
On an afternoon when the warm wind
Carried the fragrances of dirt and hay.
They spread out a checkered blanket,
Which was checked with red and white,
And Yellow said the blanket made her think
Of her friend who reflected beams of light.
At that, impetuous Red nodded and said,
How he and White had once had a drink,
And Red said that his passion had led
Them to produce the color known as Pink!
Well, the other colors blushed to hear this,
But Red was well known for his lack of tact,
So they each continued in their way on that sunny day,
And let every color be as is their nature to act.
The Maniacal Maid
There once was a maniacal maid
Who prepared a cyanide marmalade
She spread it on toast,
On the ham, and the roast,
Then set them on the table she’d laid.
The Incredible Prude
There once was an incredible prude
Who was too shy to even bathe nude
She’d bathe in her clothes,
And she’d cover her nose,
For she thought that her nostrils were lewd.
A Grim Slaughterhouse
There was once a grim slaughterhouse
That would kill anything from a cow to a mouse
One day a woman went there and said,
I’m very miserably wed,
Do you think you could butcher my spouse?
Happy Sunday! Share these poems and this site with your friends!
Dill and Cole decided to roll
The biggest joint in all of the world.
They thought it’d be funny
To pool all their money
And spend it on all the weed they could buy.
And they thought it’d be a fine joke
To watch their savings go up in smoke
As they blew puffy rings at the sky.
So they bought cartons of papers
For this magnificent caper
And a blowtorch to light the huge thing.
They invited their friends
Who invited their friends
And everyone brought all they could bring.
The people marched in quite happily,
Although not very snappily,
Because punctuality’s never been quite their suit.
But the folk were all smiles
And of a great many styles
And they brought everything from gummies to fruit!
Lily and Mary
Brought flowers and berries
Because they were two cool hippie girls.
They each wore their sandals
And they lit up some candles
And they prayed for peace throughout the whole world.
A guy who called himself, “King,”
And who could use a washing,
Began to build a low hut.
He said, “We’ll have here our prayers and our rituals,
Our moon-tithes and orbituals,
We’ll need peyote and blood from a cut.”
Wild Tom the Contractor
Showed up with his tractor
To help with lifting the weed.
Bright Jim “The Mad Scorch”
Showed up with an oxy acetylene torch
And dynamite in case of a need.
Well when they laid the weed out
It stretched ten yards just about,
And was as wide as an elephant’s ass!
They laid the weed on the prairie
And all comers felt merry
Contemplating the mass of the grass.
Well ole Dill and ole Cole
As they started to roll
Thought Jim’s dynamite should be a part of a plan.
For what if the joint’s lit
But then suddenly quit?
They’d need it to combust from within!
So ole Dill and ole Cole
Put dynamite in the roll
To be sure that the joint would stay fired.
Then Tom the Contractor
Rolled the joint with his tractor
Till it was as tight as the smokers required.
Then a teen named Colleen
Banged a tambourine
While a drummer, “Dragon,” joined in on some drums.
Tim the firebreather breathed fire,
Brit the slackrope walker walked wire,
And Jake the juggler juggled kiwis and plums.
Then Jim the Mad Scorch
Lit the joint up with his torch
As the festivities reached their climax.
And Dill and ole Cole who’d bought the green stuff
Let all of their friends have the first puff
And watched them all laugh and relax.
When the joint was half smoked
Dill and Cole approached it to toke
And they leaned down together, the two, that great pair.
And just at that moment the dynamite blew
Sending a fireball into the blue
And scorching the guys’ eyebrows and hair!
The blast rocked the whole place
And put surprise on each face
With a concussion each smoker felt to the core!
Then Dill said to Cole, as Cole looked at Dill,
“My man, my man! you look, my man, like a carbonized grill—
Let’s roll another, but next time with more!”
I met a fellow in the bar last night
Who thought he was William Tell
Wanted to shoot a beer can off my head
I told him to go to Hell.
But he gave me a look like the last buffalo
Dying out on the plains
So sad and lonely it made me act
Like I had forgotten all of my brains…
The barman told us to take it outside
But I told him that I liked where I was
Sitting in front of that big saloon mirror,
Listening to the neon lights buzz.
I took up a bottle of cold Miller Lite
And I set it on top of my head
But when the fellow stumbled ten paces off
I figured I’d soon end up dead.
He cocked back the hammer on his Colt three fifty-seven
And as I watched the cylinder turn
I froze up with my brain full of spiders,
And my stomach crawling with worms.
He closed one eye, and I saw the gun waving
Not a few inches upwards and down
And I cautiously asked him whether he meant
to shoot up the ceiling or into the ground?
The fellow slurred, “I used to do this when I’d hunt antelope
I’d calculate the angle, the distance, and slope.
I’d never miss then,
I’d put bullets through hearts,
For gunmanship is nothing but poise and practice and smarts,
And I possess each in equal parts!”
He stuck his tongue between his lips
And told me to stand very still
And as the barrel waved before my face
I turned a snake green, and I felt very ill.
The fellow slurred, “Whatcher eyes wide for?
I won’t do you no harm!”
Then he licked his lips and drooled a little spittle,
And then the fucker shot me—right in the arm!
The bullet knocked me back against the bar
And the patrons all screamed and ran
A tequila bottle shattered, my stool fell and clattered,
And I heard a shout of “Goddamn!”
Well I clutched my arm, and I started to stand
When I saw the fellow aiming again
I started a prayer, and I leapt out of there,
Talking fast on my way to, “Amen!”
He fired the gun, and the mirror blew out,
Shards of glass flew all over the place.
I poked my head up over a table
And found him aiming the gun at my face.
So I made myself scarce as the gun fired again
And destroyed a bottle of gin.
“Ceasefire, truce!” I shouted to him,
“The bottle’s broken—you win!
If you want me to tell folks you shot it first try,
By heaven, I’ll put it in song!”
“Can I count on you?” he slurred in a shout,
“I want ’em to know I don’t shoot wrong!”
“You can count on me till the end of your days,
From now until the end of all this!
By the time I’m done talking
The people will say, There goes the man who never once missed!”
“Well, I suppose that’s allright,” the drunk fellow said,
“My friend I’ll take up your word.”
Then he looked all around and he put the gun down,
And he said, “I’m sorry I shot up the bar.
But to see the mirror blow out
And hear folks scream and shout
Well that’s enough to make a man’s day.
And after all no one got hurt, just men being men,
Let me buy you a drink, my new friend.
This’ll all turn out right, the world’ll keep turning,
And we’ll all end the same in the end.”
I said I could use a beer and cigarette,
As I picked myself up off the floor.
“A cig?” he said, “I could shoot the cherry off it, I bet.”
And I took off running—right out the door!
Bill “The Butcher” Proctor was the town’s local doctor
And he had had much more than a nip.
When a woman came in with a broken hand,
He took off her leg at the hip.
When the woman woke up she just looked down and sobbed.
“Why, oh why, do you cry?” asked Doctor Proctor,
“It may be true that you’re left with one thigh,
But you’ll get used to that by and by.”
“You fool, you bastard!” the woman screamed at the man,
“I came in to your clinic with a pain in my hand!”
“Hm,” said the doctor, looking down at her leg.
“Well. Yes. Hm. I see.
“In my condition I thought I saw something wrong with the knee.”
And he thought, “Left uncorrected, this could spell serious trouble for me!”
“I’ll sue your quack practice for all that it’s worth!”
Screamed his patient in fury as she wept and she cursed.
Dr. Proctor scratched at his chin, then he put her under again.
He murmured, “I’ll fix this wreck right up in a sec!”
And with the sound of a snick and the sound of a sneck
He cut off his patient’s head at the neck!
“There,” he said, holding her head up by the hair,
“There, there, there! Now, now, she can’t complain to anyone anywhere!”